21 December 1857 – 27 December 1857

Still leading an idle life, which, however, may not be quite thrown away, as I see some things, and think many thoughts. The other day we went to Westminster Abbey, and through the chapels; and it being as sunny a day as could well be in London, and in December, we could judge, in some small degree, what must have been the splendor of those tombs and monuments when first erected there. I presume I was sufficiently minute in describing my first visit to the chapels, so I shall only mention the stiff figure of a lady of Queen Elizabeth's court, reclining on the point of her elbow under a mural arch through all these dusty years; . . . . and the old coronation-chair, with the stone of Scone beneath the seat, and the wood-work cut and scratched all over with names and initials. . . . . I continue to go to the picture-galleries. I have an idea that the face of Murillo's St. John has a certain mischievous intelligence in it. This has impressed me almost from the first. It is a boy's face, very beautiful and very pleasant too, but with an expression that one might fairly suspect to be roguish if seen in the face of a living boy. About equestrian statues, as those of various kings at Charing Cross, and otherwhere about London, and of the Duke of Wellington opposite Apsley House, and in front of the Exchange, it strikes me as absurd, the idea of putting a man on horseback on a place where one movement of the steed forward or backward or sideways would infallibly break his own and his rider's neck. The English sculptors generally seem to have been aware of this absurdity, and have endeavored to lessen it by making the horse as quiet as a cab-horse on the stand, instead of rearing rampant, like the bronze group of Jackson at Washington. The statue of Wellington, at the Piccadilly corner of the Park, has a stately and imposing effect, seen from far distances, in approaching either through the Green Park, or from the Oxford Street corner of Hyde Park.