13 February 1645 – 19 February 1645

I went to Santa Cecilia, a church built and endowed by Cardinal Sfrondæti, who has erected a stately altar near the body of this martyr, not long before found in a vesture of silk girt about, a veil on her head, and the bloody scars of three wounds on the neck; the body is now in a silver chest, with her statue over it, in snow-white marble. Other Saints lie here, decorated with splendid ornaments, lamps, and incensories of great cost. A little farther, they show us the Bath of St. Cecilia, to which joins a Convent of Friars, where is the picture of the Flagellation by Vanni, and the columns of the portico, taken from the Baths of Septimius Severus.

Mr. Henshaw and I walked by the Tiber, and visited the Stola Tybertina (now St. Bartholomew's), formerly cut in the shape of a ship, and wharfed with marble, in which a lofty obelisk represented the mast. In the church of St. Bartholomew is the body of the Apostle. Here are the ruins of the Temple of Æsculapius, now converted into a stately hospital and a pretty convent. Opposite to it, is the convent and church of St. John Calabita, where I saw nothing remarkable, save an old broken altar. Here was the Temple of Fortuna Virilis. Hence, we went to a cupola, now a church, formerly dedicated to the sun. Opposite to it, Santa Maria Schola Græca, where formerly that tongue was taught; said to be the second church dedicated in Rome to the Blessed Virgin; bearing also the title of a Cardinalate. Behind this stands the great altar of Hercules, much demolished. Near this, being at the foot of Mount Aventine, are the Pope's salt houses. Ascending the hill, we came to St. Sabina, an ancient fabric, formerly sacred to Diana; there, in a chapel, is an admirable picture, the work of Livia Fontana, set about with columns of alabaster, and in the middle of the church is a stone, cast, as they report, by the Devil at St. Dominic, while he was at mass. Hence, we traveled toward a heap of rubbish, called the Marmorata, on the bank of the Tiber, a magazine of stones; and near which formerly stood a triumphal arch, in honor of Horatius vanquishing the Tuscans. The ruins of the bridge yet appear. We were now got to Mons Testaceus, a heap of potsherds, almost 200 feet high, thought to have been thrown there and amassed by the subjects of the Commonwealth bringing their tribute in earthen vessels, others (more probably) that it was a quarter of the town where potters lived; at the summit Rome affords a noble prospect. Before it is a spacious green, called the Hippodrome, where Olympic games were celebrated, and the people mustered, as in our London Artillery-Ground. Going hence, to the old wall of the city, we much admired the pyramid, or tomb, of Caius Cestius, of white marble, one of the most ancient entire monuments, inserted in the wall, with this inscription: "C. Cestius L. F. Pob. Epulo (an order of priests) Pr. Tr. pl. VII. Vir. Epulonum." And a little beneath: "Opus absolutum ex testamento diebus CCCXXX. arbitratu. Ponti P. F. Cla. Melæ Heredis et Pothi L." At the left hand, is the Port of St. Paul, once Tergemina, out of which the three Horatii passed to encounter the Curiatii of Albano. Hence, bending homeward by St. Saba, by Antoninus's baths (which we entered), is the marble sepulchre of Vespasian. The thickness of the walls and the stately ruins show the enormous magnitude of these baths. Passing by a corner of the Circus Maximus, we viewed the place where stood the Septizonium, demolished by Sextus V., for fear of its falling. Going by Mons Cœlius, we beheld the devotions of St. Maria in Naviculâ, so named from a ship carved out in white marble standing on a pedestal before it, supposed to be the vow of one escaped from shipwreck. It has a glorious front to the street. Adjoining to this are the Hortii Mathæi, which only of all the places about the city I omitted visiting, though I was told inferior to no garden in Rome for statues, ancient monuments, aviaries, fountains, groves, and especially a noble obelisk, and maintained in beauty at an expense of 6,000 crowns yearly, which, if not expended to keep up its beauty, forfeits the possession of a greater revenue to another family: so curious are they in their villas and places of pleasure, even to excess. The next day, we went to the once famous Circus Caracalla, in the midst of which there now lay prostrate one of the most stately and ancient obelisks, full of Egyptian hieroglyphics. It was broken into four pieces, when overthrown by the Barbarians, and would have been purchased and transported into England by the magnificent Thomas Earl of Arundel, could it have been well removed to the sea. This is since set together and placed on the stupendous artificial rock made by Innocent X., and serving for a fountain in Piazza Navona, the work of Bernini, the Pope's architect. Near this is the sepulchre of Metellus, of massy stone, pretty entire, now called Capo di Bovo. Hence, to a small oratory, named "Domine, quo vadis"; where the tradition is, that our Blessed Savior met St. Peter as he fled, and turned him back again. St. Sebastian's was the next, a mean structure (the facciáta excepted), but is venerable, especially for the relics and grots, in which lie the ashes of many holy men. Here is kept the pontifical chair sprinkled with the blood of Pope Stephen, to which great devotion is paid; also a well full of martyrs' bones, and the sepulchre of St. Sebastian, with one of the arrows (used in shooting him). These are preserved by the Fulgentine Monks, who have here their monastery, and who led us down into a grotto which they affirmed went divers furlongs under ground; the sides, or walls which we passed were filled with bones and dead bodies, laid (as it were) on shelves, whereof some were shut up with broad stones and now and then a cross, or a palm, cut in them. At the end of some of these subterranean passages, were square rooms with altars in them, said to have been the receptacles of primitive Christians, in the times of persecution, nor seems it improbable.

I was invited, after dinner, to the Academy of the Humorists, kept in a spacious hall belonging to Signor Mancini, where the wits of the town meet on certain days to recite poems, and debate on several subjects. The first that speaks is called the Lord, and stands in an eminent place, and then the rest of the Virtuosi recite in order. By these ingenious exercises, besides the learned discourses, is the purity of the Italian tongue daily improved. The room is hung round with devices, or emblems, with mottoes under them. There are several other Academies of this nature, bearing like fantastical titles. In this of the Humorists is the picture of Guarini, the famous author of the Pastor Fido, once of this society. The chief part of the day we spent in hearing the academic exercises.

We walked to St. Nicholas in Carcere; it has a fair front, and within are parts of the bodies of St. Mark and Marcellino; on the Tribuna is a painting of Gentileschi, and the altar of Caval; Baglioni, with some other rare paintings. Coming round from hence we passed by the Circus Flaminius, formerly very large, now totally in ruins. In the afternoon, we visited the English Jesuits, with whose Superior, P. Stafford, I was well acquainted; who received us courteously. They call their church and college St. Thomasso de gli Inglesi, and is a seminary. Among other trifles, they show the relics of Becket, their reputed martyr. Of paintings there is one of Durante, and many representing the sufferings of several of their society executed in England, especially F. Campion. In the Hospital of the Pelerini della S. Trinita, I had seen the feet of many pilgrims washed by Princes, Cardinals, and noble Romans, and served at table, as the ladies and noble women did to other poor creatures in another room. It was told us that no less than 444,000 men had been thus treated in the Jubilee of 1600, and 25,500 women, as appears by the register, which brings store of money. Returning homeward, I saw the palace of Cardinal Spada, where is a most magnificent hall painted by Daniel de Volterra and Giulio Piacentino, who made the fret in the little Court; but the rare perspectives are of Bolognesi. Near this is the Mont Pieta, instituted as a bank for the poor, who, if the sum be not great, may have money upon pawns. To this joins St. Martino, to which belongs a Schola, or Corporation, that do many works of charity. Hence we came through Campo di Fiori, or herb-market, in the midst of which is a fountain casting out water of a dolphin, in copper; and in this piazza is common execution done.

I went, this afternoon, to visit my Lord John Somerset, brother to the Marquis of Worcester, who had his apartment in Palazzo della Cancellaria, belonging to Cardinal Francesco Barberini, as Vice-chancellor of the Church of Rome, and Protector of the English. The building is of the famous architect, Bramante, of incrusted marble, with four ranks of noble lights; the principal entrance is of Fontana's design, and all marble; the portico within sustained by massy columns; on the second peristyle above, the chambers are rarely painted by Salviati and Vasari; and so ample is this palace, that six princes with their families have been received in it at one time, without incommoding each other.