28 November 1644 – 4 December 1644

I went to see the garden and house of the Aldobrandini, now Cardinal Borghese's. This palace is, for architecture, magnificence, pomp, and state, one of the most considerable about the city. It has four fronts, and a noble piazza before it. Within the courts, under arches supported by marble columns, are many excellent statues. Ascending the stairs, there is a rare figure of Diana, of white marble. The St. Sebastian and Hermaphrodite are of stupendous art. For paintings, our Savior's Head, by Correggio; several pieces of Raphael, some of which are small; some of Bassano Veronese; the Leda, and two admirable Venuses, are of Titian's pencil; so is the Psyche and Cupid; the head of St. John, borne by Herodias; two heads of Albert Durer, very exquisite. We were shown here a fine cabinet and tables of Florence work in stone. In the gardens are many fine fountains, the walls covered with citron trees, which, being rarely spread, invest the stone work entirely; and, toward the street, at a back gate, the port is so handsomely clothed with ivy as much pleased me. About this palace are many noble antique bassi-relievi: two especially are placed on the ground, representing armor, and other military furniture of the Romans; beside these, stand about the garden numerous rare statues, altars, and urns. Above all for antiquity and curiosity (as being the only rarity of that nature now known to remain) is that piece of old Roman painting representing the Roman Sponsalia, or celebration of their marriage, judged to be 1,400 years old, yet are the colors very lively, and the design very entire, though found deep in the ground. For this morsel of painting's sake only, it is said the Borghesi purchased the house, because this being on a wall in a kind of banqueting house in the garden, could not be removed, but passes with the inheritance.

I a second time visited the Medicean Palace, being near my lodging, the more exactly to have a view of the noble collections that adorn it, especially the bassi-relievi and antique friezes inserted about the stone work of the house. The Saturn, of metal, standing in the portico, is a rare piece; so is the Jupiter and Apollo, in the hall. We were now led into those rooms above we could not see before, full of incomparable statues and antiquities; above all, and haply preferable to any in the world, are the Two Wrestlers, for the inextricable mixture with each other's arms and legs is stupendous. In the great chamber is the Gladiator, whetting a knife; but the Venus is without parallel, being the masterpiece of one whose name you see graven under it in old Greek characters; nothing in sculpture ever approached this miracle of art. To this add Marcius, Ganymede, a little Apollo playing on a pipe; some relievi incrusted on the palace-walls; and an antique vas of marble, near six feet high. Among the pictures may be mentioned the Magdalen and St. Peter, weeping. I pass over the cabinets and tables of pietra commessa, being the proper invention of the Florentines. In one of the chambers is a whimsical chair, which folded into so many varieties, as to turn into a bed, a bolster, a table, or a couch. I had another walk in the garden, where are two huge vases, or baths of stone. I went further up the hill to the Pope's Palaces at Monte Cavallo, where I now saw the garden more exactly, and found it to be one of the most magnificent and pleasant in Rome. I am told the gardener is annually allowed 2,000 scudi for the keeping of it. Here I observed hedges of myrtle above a man's height; others of laurel, oranges, nay, of ivy and juniper; the close walks, and rustic grotto; a crypt, of which the laver, or basin, is of one vast, entire, antique porphyry, and below this flows a plentiful cascade; the steps of the grotto and the roofs being of rich Mosaic. Here are hydraulic organs, a fish pond, and an ample bath. From hence, we went to taste some rare Greco; and so home. Being now pretty weary of continual walking, I kept within, for the most part, till the 6th of December; and, during this time, I entertained one Signor Alessandro, who gave me some lessons on the theorbo. The next excursion was over the Tiber, which I crossed in a ferry-boat, to see the Palazzo di Ghisi, standing in Transtevere, fairly built, but famous only for the painting á fresco on the volto of the portico toward the garden; the story is the Amours of Cupid and Psyche, by the hand of the celebrated Raphael d'Urbino. Here you always see painters designing and copying after it, being esteemed one of the rarest pieces of that art in the world; and with great reason. I must not omit that incomparable table of Galatea (as I remember), so carefully preserved in the cupboard at one of the ends of this walk, to protect it from the air, being a most lively painting. There are likewise excellent things of Baldassare, and others. Thence we went to the noble house of the Duke of Bracciano, fairly built, with a stately court and fountain. Next, we walked to St. Mary's Church, where was the Taberna Meritoria, where the old Roman soldiers received their triumphal garland, which they ever after wore. The high altar is very fair, adorned with columns of porphyry: here is also some mosaic work about the choir, and the Assumption is an esteemed piece. It is said that this church was the first that was dedicated to the Virgin at Rome. In the opposite piazza is a very sumptuous fountain.