7 March 1842 – 13 March 1842

I live in the perpetual verdure of the globe. I die in the annual decay of nature. We can understand the phenomenon of death in the animal better if we first consider it in the order next below us, the vegetable. The death of the flea and the elephant are but phenomena of the life of nature.

Chaucer's familiar, but innocent, way of speaking of God is of a piece with his character. He comes readily to his thoughts without any false reverence. If Nature is our mother, is not God much more? God should come into our thoughts with no more parade than the zephyr into our ears. Only strangers approach him with ceremony. How rarely in our English tongue do we find expressed any affection for God! No sentiment is so rare as love of God,—universal love. Herbert is almost the only exception. "Ah, my dear God," etc. Chaucer's was a remarkably affectionate genius. There is less love and simple trust in Shakespeare. When he sees a beautiful person or object, he almost takes a pride in the "maistry" of his God. The Protestant Church seems to have nothing to supply the place of the Saints of the Catholic calendar, who were at least channels for the affections. Its God has perhaps too many of the attributes of a Scandinavian deity.

Consider what a difference there is between living and dying. To die is not to begin to die, and continue; it is not a state of continuance, but of transientness; but to live is a condition of continuance, and does not mean to be born merely. There is no continuance of death. It is a transient phenomenon. Nature presents nothing in a state of death.

The sad memory of departed friends is soon incrusted over with sublime and pleasing thoughts, as their monuments are overgrown with moss. Nature doth thus kindly heal every wound. By the mediation of a thousand little mosses and fungi, the most unsightly objects become radiant of beauty. There seem to be two sides to this world, presented us at different times, as we see things in growth or dissolution, in life or death. For seen with the eye of a poet, as God sees them, all are alive and beautiful; but seen with the historical eye, or the eye of the memory, they are dead and offensive. If we see Nature as pausing, immediately all mortifies and decays; but seen as progressing, she is beautiful.