1 March 1841 – 7 March 1841

I hear a man blowing a horn this still evening, and it sounds like the plaint of nature in these times. In this, which I refer to some man, there is something greater than any man. It is as if the earth spoke. It adds a great remoteness to the horizon, and its very distance is grand, as when one draws back the head to speak. That which I now hear in the west seems like an invitation to the east. It runs round the earth as a whisper gallery. It is the spirit of the West calling to the spirit of the East, or else it is the rattling of some team lagging in Day's train. Coming to me through the darkness and silence, all things great seem transpiring there. It is friendly as a distant hermit's taper. When it is trilled, or undulates, the heavens are crumpled into time, and successive waves flow across them. It is a strangely healthy sound for these disjointed times. It is a rare soundness when cow-bells and horns are heard from over the fields. And now I see the beauty and full meaning of that word "sound." Nature always possesses a certain sonorousness, as in the hum of insects, the booming of ice, the crowing of cocks in the morning, and the barking of dogs in the night, which indicates her sound state. God's voice is but a clear bell sound. I drink in a wonderful health, a cordial, in sound. The effect of the slightest tinkling in the horizon measures my own soundness. I thank God for sound; it always mounts, and makes me mount. I think I will not trouble myself for any wealth, when I can be so cheaply enriched. Here I contemplate to drudge that I may own a farm—and may have such a limitless estate for the listening. All good things are cheap: all bad are very dear.

Ben Jonson says in his epigrams,— "He makes himself a thorough-fare of Vice." This is true, for by vice the substance of a man is not changed, but all his pores, and cavities, and avenues are prophaned by being made the thoroughfares of vice. He is the highway of his vice. The searching devil courses through and through him. His flesh and blood and bones are cheapened. He is all trivial, a place where three highways of sin meet. So is another the thoroughfare of virtue, and virtue circulates through all his aisles like a wind, and he is hallowed.

How can our love increase, unless our loveliness increase also? We must securely love each other as we love God, with no more danger that our love be unrequited or ill-bestowed. There is that in my friend before which I must first decay and prove untrue. Love is the least moral and the most. Are the best good in their love? or the worst, bad?

An honest misunderstanding is often the ground of future intercourse.

The Sphinx is man's insatiable and questioning spirit, which still, as of old, stands by the roadside in us and proposes the riddle of life to every passer. The ancients represented this by a monster who was a riddle of herself, having a body composed of various creatures, as if to hint that she had no individual existence, but was nearly allied to and brooded over all. They made her devour those who were unable to explain her enigmas, as we are devoured by doubt, and struggle towards the light, as if to be assured of our lives. For we live by confidence, and our bravery is in some moment when we are certain to that degree that our certainty cannot be increased; as, when a ray bursts through a gap in a cloud, it darts as far, and reaches the earth as surely, as the whole sun would have done. 1. In the first four lines is described the mood in which the Sphinx bestirs herself in us. We must look on the world with a drowsy and half-shut eye, that it may not be too much in our eye, and rather stand aloof from than within it. When we are awake to the real world, we are asleep to the actual. The sinful drowse to eternity, the virtuous to time. Menu says that the "supreme omnipresent intelligence" is "a spirit which can only be conceived by a mind slumbering." Wisdom and holiness always slumber; they are never active in the ways of the world. As in our night-dreams we are nearest to awakening, so in our day-dreams we are nearest to a supernatural awakening, and the plain and flat satisfactoriness of life becomes so significant as to be questioned. The Sphinx hints that in the ages her secret is kept, but in the annihilation of ages alone is it revealed. So far from solving the problem of life, Time only serves to propose and keep it in. Time waits but for its solution to become eternity. Its lapse is measured by the successive failures to answer the incessant question, and the generations of men are the unskillful passengers devoured. 2. She hints generally at man's mystery. He knows only that he is, not what, nor whence. Not only is he curiously and wonderfully wrought, but with Dædalian intricacy. He is lost in himself as a labyrinth and has no clue to get out by. If he could get out of his humanity, he would have got out of nature. "Dædalian" expresses both the skill and the inscrutable design of the builder. The insolubleness of the riddle is only more forcibly expressed by the lines,— "Out of sleeping a waking, Out of waking a sleep." They express the complete uncertainty and renunciation of knowledge of the propounder. 3, 4, 5, 6. In these verses is described the integrity of all animate and inanimate things but man,—how each is a problem of itself and not the solution of one and presides over and uses the mystery of the universe as unhesitatingly as if it were the partner of God; how, by a sort of essential and practical faith, each understands all, for to see that we understand is to know that we misunderstand. Each natural object is an end to itself. A brave, undoubting life do they all live, and are content to be a part of the mystery which is God, and throw the responsibility on man of explaining them and himself too. 3. The outlines of the trees are as correct as if ruled by God on the sky. The motions of quadrupeds and birds Nature never thinks to mend, but they are a last copy and the flourishes of His hand. 4. The waves lapse with such a melody on the shore as shows that they have long been at one with Nature. Theirs is as perfect play as if the heavens and earth were not. They meet with a sweet difference and independently, as old playfellows. Nothing do they lack more than the world. The ripple is proud to be a ripple and balances the sea. The atoms, which are in such a continual flux, notwithstanding their minuteness, have a certain essential valor and independence. They have the integrity of worlds, and attract and repel firmly as such. The least has more manhood than Democritus. 5. So also in Nature the perfection of the whole is the perfection of the parts, and what is itself perfect serves to adorn and set off all the rest. Her distinctions are but reliefs. Night veileth the morning for the morning's sake, and the vapor adds a new attraction to the hill. Nature looks like a conspiracy for the advantage of all her parts; when one feature shines, all the rest seem suborned to heighten its charm. In her circle each gladly gives precedence to the other. Day gladly alternates with night. Behind these the vapor atones to the hill for its interference, and this harmonious scene is the effect of that at-one-ment. 6. In a sense the babe takes its departure from Nature as the grown man his departure out of her, and so during its nonage is at one with her, and as a part of herself. It is indeed the very flower and blossom of Nature. "Shines the peace of all being Without cloud, in its eyes; And the sum of the world In soft miniature lies." To the charming consistency of the palm and thrush, this universal and serene beauty is added, as all the leaves of the tree flower in the blossom. 7. But alas, the fruit to be matured in these petals is fated to break the stem which holds it to universal consistency. It passes through Nature to manhood, and becomes unnatural, without being as yet quite supernatural. Man's most approved life is but conformity, not a simple and independent consistency, which would make all things conform to it. His actions do not adorn Nature nor one another, nor does she exist in harmony but in contrast with them. She is not their willing scenery. We conceive that if a true action were to be performed it would be assisted by Nature, and perhaps be fondled and reflected many times as the rainbow. The sun is a true light for the trees in a picture, but not for the actions of men. They will not bear so strong a light as the stubble; the universe has little sympathy with them, and sooner or later they rebound hollowly on the memory. The April shower should be as reviving to our life as to the garden and the grove, and the scenery in which we live reflect our own beauty, as the dewdrop the flower. It is the actual man, not the actual Nature, that hurts the romance of the landscape. "He poisons the ground." The haymakers must be lost in the grass of the meadow. They may be Faustus and Amyntas here, but near at hand they are Reuben and Jonas. The woodcutter must not be better than the wood, lest he be worse. Neither will bear to be considered as a distinct feature. Man's works must lie in the bosom of Nature, cottages be buried in trees, or under vines and moss, like rocks, that they may not outrage the landscape. The hunter must be dressed in Lincoln green, with a plume of eagle's feathers, to imbosom him in Nature. So the skillful painter secures the distinctness of the whole by the indistinctness of the parts. We can endure best to consider our repose and silence. Only when the city, the hamlet, or the cottage is viewed from a distance does man's life seem in harmony with the universe; but seen closely his actions have no eagle's feathers or Lincoln green to redeem them. The sunlight on cities at a distance is a deceptive beauty, but foretells the final harmony of man with Nature. Man as he is, is not the subject of any art, strictly speaking. The naturalist pursues his study with love, but the moralist persecutes his with hate. In man is the material of a picture, with a design partly sketched, but Nature is such a picture drawn and colored. He is a studio, Nature a gallery. If men were not idealists, no sonnets to beautiful persons nor eulogies on worthy ones would ever be written. We wait for the preacher to express such love for his congregation as the botanist for his herbarium. 8. Man, however, detects something in the lingering ineradicable sympathy of Nature which seems to side with him against the stern decrees of the soul. Her essential friendliness is only the more apparent to his waywardness, for disease and sorrow are but a rupture with her. In proportion as he renounces his will, she repairs his hurts, and, if she burns, does oftener warm, if she freezes, oftener refreshes. This is the motherliness which the poet personifies, and the Sphinx, or wisely inquiring man, makes express a real concern for him. Nature shows us a stern kindness, and only we are unkind. She endures long with us, and though the severity of her law is unrelaxed, yet its evenness and impartiality look relenting, and almost sympathize with our fault. 9, 10, 11, 12, 13, 14. But to the poet there are no riddles. They are "pleasant songs" to him; his faith solves the enigmas which recurring wisdom does not fail to repeat. Poetry is the only solution time can offer. But the poet is soonest a pilgrim from his own faith. Our brave moments may still be distinguished from our wise. Though the problem is always solved for the soul, still does it remain to be solved by the intellect. Almost faith puts the question, for only in her light can it be answered. However true the answer, it does not prevent the question; for the best answer is but plausible, and man can only tell his relation to truth, but render no account of truth to herself. 9. Believe, and ask not, says the poet. "Deep love lieth under These pictures of time; They fade in the light of Their meaning sublime." Nothing is plain but love. 10, 11, 12, 13. Man comes short, because he seeks perfection. He adorns no world, while he is seeking to adorn a better. His best actions have no reference to their actual scenery. For when our actions become of that worth that they might confer a grace on Nature, they pass out of her into a higher arena, where they are still mean and awkward. So that the world beholds only the rear of great deeds, and mistakes them often for inconsistencies, not knowing with what higher they consist. Nature is beautiful as in repose, not promising a higher beauty to-morrow. Her actions are level to one another, and so are never unfit or inconsistent. Shame and remorse, which are so unsightly to her, have a prospective beauty and fitness which redeem them. We would have our lover to be nobler than we, and do not fear to sacrifice our love to his greater nobleness. Better the disagreement of noble lovers than the agreement of base ones. In friendship each will be nobler than the other, and so avoid the cheapness of a level and idle harmony. Love will have its chromatic strains,—discordant yearnings for higher chords,—as well as symphonies. Let us expect no finite satisfaction. 13. Who looks in the sun will see no light else; but also he will see no shadow. Our life revolves unceasingly, but the centre is ever the same, and the wise will regard only the seasons of the soul. 14. The poet concludes with the same trust he began with, and jeers at the blindness which could inquire. But our sphinx is so wise as to put no riddle that can be answered. It is a great presumption to answer conclusively a question which any sincerity has put. The wise answer no questions,—nor do they ask them. She silences his jeers with the conviction that she is the eye-beam of his eye. Our proper eye never quails before an answer. To rest in a reply, as a response of the oracle, that is error; but to suspect time's reply, because we would not degrade one of God's meanings to be intelligible to us, that is wisdom. We shall never arrive at his meaning, but it will ceaselessly arrive to us. The truth we seek with ardor and devotion will not reward us with a cheap acquisition. We run unhesitatingly in our career, not fearing to pass any goal of truth in our haste. We career toward her eternally. A truth rested in stands for all the vice of an age, and revolution comes kindly to restore health. 16. The cunning Sphinx, who had been hushed into stony silence and repose in us, arouses herself and detects a mystery in all things,—in infancy, the moon, fire, flowers, sea, mountain,—and, (17) in the spirit of the old fable, declares proudly,— "Who telleth one of my meanings Is master of all I am." When some Œdipus has solved one of her enigmas, she will go dash her head against a rock.