18 December 1916 – 24 December 1916

The Parson called, over the christening of the baby. I told him I was an agnostic. "There are several interesting lines of thought down here," he said wearily, passing his hand over his eyes. I know several men more enthusiastic over Fleas and Worms than this phlegmatic priest, over Jesus Christ.

The reason why I do not spend my days in despair and my nights in hopeless weeping simply is that I am in love with my own ruin. I therefore deserve no sympathy, and probably shan't get it: my own profound self-compassion is enough. I am so abominably self-conscious that no smallest detail in this tragedy eludes me. Day after day I sit in the theatre of my own life and watch the drama of my own history proceeding to its close. Pray God the curtain falls at the right moment lest the play drag on into some long and tedious anticlimax. We all like to dramatise ourselves. Byron was dramatising himself when, in a fit of rhetorical self-compassion, he wrote: "Oh! could I feel as I have felt or be what I have been, Or weep as I could once have wept o'er many a vanished scene." Shelley, too, being an artist could not stand insensible to his own tragedy and Francis Thompson suggests that he even anticipated his own end from a passage in Julian and Maddalo, "... if you can't swim, Beware of Providence." "Did no earthly dixisti," Thompson asks, "sound in his ears as he wrote it?" In any event, it was an admirable ending from the dramatic point of view; Destiny is often a superb dramatist. What more perfect than the death of Rupert Brooke at Scyros in the Ægean? The lives of some men are works of art, perfect in form, in development and in climax. Yet how frequently a life eminently successful or even eminently ruinous is also an unlovely, sordid, ridiculous or vulgar affair! Every one will concede that it must be a hard thing to be commonplace and vulgar even in misfortune, to discover that the tragedy of your own precious life has been dramatically bad, that your life even in its ruins is but a poor thing, and your own miseries pathetic from their very insignificance; that you are only Jones with chronic indigestion rather than Guy de Maupassant mad, or Coleridge with a great intellect being slowly dismantled by opium. If only I could order my life by line and level, if I could control or create my own destiny and mould it into some marble perfection! In short, if life were an art and not a lottery! In the lives of all of us, how many wasted efforts, how many wasted opportunities, false starts, blind--how many lost days--and man's life is but a paltry three score years and ten: pitiful short commons indeed. Sometimes, as I lean over a five-barred gate or gaze stupidly into the fire, I garner a bitter-sweet contentment in making ideal reconstructions of my life, selecting my parents, the date and place of my birth, my gifts, my education, my mentors and what portions out of the infinity of knowledge shall gain a place within my mind--that sacred glebe-land to be zealously preserved and enthusiastically cultivated. Whereas, my mind is now a wilderness in which all kinds of useless growths have found an ineradicable foothold. I am exasperated to find I have by heart the long addresses of a lot of dismal business correspondents and yet can't remember the last chapters of Ecclesiastes: what a waste of mind-stuff there! It irks me to be acquainted even to nausea with the spot in which I live, I whose feet have never traversed even so much as this little island much less carried me in triumph to Timbuctoo, Honolulu, Rio, Rome.

This continuous preoccupation with self sickens me--as I look back over these entries. It is inconceivable that I should be here steadily writing up my ego day by day in the middle of this disastrous war.... Yesterday I had a move on. To-day life wearies me. I am sick of myself and life. This beastly world with its beastly war and hate makes me restless, dissatisfied, and full of a longing to be quit of it. I am as full of unrest as an autumn Swallow. "My soul," I said to them at breakfast with a sardonic grin, "is like a greyhound in the slips. I shall have to wear heavy boots to prevent myself from soaring. I have such an uplift on me that I could carry a horse, a dog, a cat, if you tied them on to my homing spirit and so transformed my Ascension into an adventure out of Baron Munchausen." With a gasconnade of contempt, I should like to turn on my heel and march straight out of this wretched world at once.

Gibbon's Autobiography This book makes me of all people (and especially just now) groan inwardly. "I am at a loss," he says, referring to the Decline and Fall, "how to describe the success of the work without betraying the vanity of the writer.... My book was on every table and almost on every toilette." It makes me bite my lips. Rousseau and his criticism of "I sighed as a lover; I obeyed as a son," and Gibbon on his dignity in reply make one of the most ludicrous incidents in literary history. "... that extraordinary man whom I admire and pity, should have been less precipitate in condemning the moral character and conduct of a stranger!" Oh my giddy Aunt! Isn't this rich? Still, I am glad you did not marry her: we could ill spare Madam de Staël, Madam Necker's daughter, that wonderful, vivacious and warmhearted woman. "After the morning has been occupied with the labours of the library, I wish to unbend rather than exercise my mind; and in the interval between tea and supper, I am far from disdaining the innocent amusement of a game of cards." How Jane Austen would have laughed at him! The passage reminds me of the Rev. Mr. Collins saying: "Had I been able I should have been only too pleased to give you a song, for I regard music as a harmless diversion and perfectly compatible with the profession of a clergyman." "When I contemplate the common lot of mortality," Gibbon writes, "I must acknowledge I have drawn a high prize in the lottery of life," and he goes on to count up all his blessings with the most offensive delight--his wealth, the good fortune of his birth, his ripe years, a cheerful temper, a moderate sensibility, health, sound and peaceful slumbers from infancy, his valuable friendship with Lord Sheffield, his rank, fame, etc., etc., ad nauseam. He rakes over his whole life for things to be grateful for. He intones his happiness in a long recitative of thanksgiving that his lot was not that of a savage, of a slave, or a peasant; he washes his hands with imaginary soap on reflecting on the bounty of Nature which cast his birth in a free and civilised country, in an age of science and philosophy, in a family of honourable rank and decently endowed with the gifts of fortune--sleek, complacent, oleaginous and salacious old gentleman, how I would love to have bombed you out of your self-satisfaction! Masefield's "Gallipoli" It amused me to discover the evident relish with which the author of In the Daffodil Fields emphasises the blood and the flowers in the attack on Achi Baba. It's all blood and beautiful flowers mixed up together to Masefield's great excitement. "A swear word in a city slum A simple swear word is to some-- To Masefield something more." MAX BEERBOHM. Still, to call Gallipoli "bloody Hell" is, after all, only a pedantically exact description. You understand, tho', a very remarkable book--a work of genius.

To be cheerful this Xmas would require a coup de théâtre--some sort of psychological sleight of hand. I get downstairs at 10 and spend the day reading and writing, without a soul to converse with. Everything comes to me second-hand--thro' the newspapers, the world of life thro' the halfpenny Daily News, and the world of books thro' the Times Literary Supplement. For the rest I listen to the kettle singing and make symphonies out of it, or I look into the fire to see the pictures there....

Everyone I suppose engaged in this irony of Xmas. What a solemn lunatic the world is. Walked awhile in a beautiful lane close by, washed hard and clean and deeply channelled by the recent rain. On the hill-top, I could look right across the valley to the uplands, where on the sky line a few Firs stood in stately sequestration from common English Oaks, like a group of ambassadors in full dress. In the distance a hen clucked, I saw a few Peewits wheeling and watched the smoke rising from our cottage perpendicularly into the motionless air. There was a clement quiet and a clement warmth, and in my heart a burst of real happiness that made me rich even beside less unfortunate beings and beyond what I had ever expected to be again.